The world of Indian classical music mourns the loss of Pandit Ram Narayan, a revolutionary sarangi virtuoso who passed away on November 8, 2024, at his residence in Bandra, Mumbai. He was 96 years old. Renowned for his instrumental mastery and dedication, he elevated the sarangi from a traditional accompaniment instrument to a celebrated solo act in the Hindustani classical music arena. His legacy is deeply cherished by his family, admirers, and countless music lovers across generations. Through his work, Pandit Ram Narayan inspired a new appreciation and respect for the sarangi and its place in classical music.
Born on December 25, 1927, in Amber, a small village near Udaipur, Rajasthan, Pandit Ram Narayan hailed from a family of musicians who were primarily vocalists in the Udaipur royal court. His early exposure to music shaped his desire to learn the sarangi. Despite the challenges associated with the instrument, his family recognized his talent and passion. Though his father initially hesitated, due to the instrument’s association with the courtesan tradition, he supported his son’s pursuit and facilitated lessons under Uday Lal of Udaipur, a disciple of dhrupad legends Allabande and Zakiruddin Dagar.
Narayan’s journey in music began in earnest at just six years old, and he soon studied khayal singing under Madhav Prasad. This was followed by rigorous training with Abdul Wahid Khan, a respected Lahore-based vocalist from the Kirana gharana. Under Khan’s strict mentorship, he perfected his skills and grasped the core elements of Hindustani classical music, which would become evident in his later performances.
Pandit Ram Narayan’s career began in 1943 when he joined All India Radio, Lahore, as a sarangi artist. His relocation to Delhi after Partition in 1948 marked the start of his rise in the world of Indian classical music. He performed alongside many legendary artists, including Ustad Bade Ghulam Ali Khan, Pandit Omkarnath Thakur, and Hirabai Badodekar, who all praised his exceptional talent. His solo work took off after producing three albums with HMV, an unheard-of feat for a sarangi player at the time.
Pandit Narayan’s journey as a sarangi soloist reached new heights with performances in iconic Bollywood films such as Mughal-e-Azam, Pakeezah, Taj Mahal, Milan, and Kashmir ki Kali. In Kamal Amrohi’s Pakeezah, he famously played the haunting prelude for Chalte Chalte, a track that captures the tragic romance of the courtesan Sahib Jaan, played by Meena Kumari. Pandit Narayan’s intricate sarangi riffs mimic the singer’s voice, achieving a lyrical, vocal-like quality that resonates deeply with listeners.
His collaboration in Mughal-e-Azam is equally memorable. For the timeless song Pyar Kiya Toh Darna Kya, he masterfully shifted his tone and style, adapting to the rebellious energy of the courtesan’s declaration of love. These performances are iconic, displaying his ability to interpret and embody the characters’ emotions through his music.
Pandit Ram Narayan’s impact extended far beyond Indian borders. He performed at prestigious venues like London’s Royal Albert Hall and the BBC Proms in the United Kingdom. His efforts in popularizing the sarangi internationally paralleled those of sitar maestro Pandit Ravi Shankar, as he sought to bring Indian classical music to a global audience. Accompanied by his elder brother Pandit Chaturlal, he toured Europe in the 1960s, presenting the sarangi as a classical concert instrument and helping establish its place on international stages.
In recognition of his contributions, he was honored with several of India’s highest awards, including the Padma Vibhushan and the Sangeet Natak Akademi Award. These accolades cemented his legacy as one of India’s foremost sarangi players and a visionary in the field of classical music.
Pandit Ram Narayan transformed the sarangi’s role in Indian classical music, raising it from an accompaniment instrument to a solo performance instrument with its own distinct voice. His style was known for its vocal-like expressiveness, and he often used the instrument to replicate the nuances of human emotion, a technique that required exceptional skill. His daughter, Aruna Narayan, has continued his legacy by mastering the sarangi, while his son Brij Narayan has pursued music through the sarod.
As a pioneer, Pandit Ram Narayan broke barriers and inspired countless musicians to explore the sarangi, an instrument traditionally associated with folk music and courtesans. He led the way in redefining its role in classical music, paving the path for future generations. His dedication and revolutionary approach earned him the reverence of both his peers and younger musicians, who continue to celebrate his life and work.
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